Formal Analysis of Art

ART 101 – Week 3

Formal Analysis of Art

Christina Doner

Before evaluating any painting, one must be able to distinguish the difference between two of the major lines an artist would use in creating his or her art work. The two lines most commonly used are the analytical and expressive lines. There are many differences between the two lines. For instance, analytical lines are more precise, rational, measured, and logical. Whereas, expressive lines are highly direction less; meaning the lines are free formed, loose, and at some point out of control. With this knowledge, I will attempt to evaluate 4 diverse paintings. Within the first two paintings, I will be describing the type of line used, as well as formatting the artist’s personality or view of the world thru his use of these lines. As far as the other two paintings, a formal analysis will be conducted; where conclusions will be made as to whether the formal qualities work collectively to create a meticulous effect.

Sol Lewitt’s wall drawing was created thru the use of analytical lines, No. 681 c 1993. As analytical lines are known to be very logical; they are also said to be linked to the male form. Vincent Van Gogh’s painting “The Starry Night” (1889) is a prime illustration of expressive lines (Sayre, p 79, 2007). Expressive lines used in art display some type of formal element; whether they are loose, liberated, less logical, and possibly a bit out of control. Overall, expressive lines in art are logically less clear to the viewer’s eye. Characteristics of expressive lines include association with cultural views and bias as being identified with the female form. In most paintings of females, they are described as weak and emotional. From the description and characteristics of expressive lines, it is safe and sound to articulate that Vincent Van Gogh’s use of this type of line displays his personality as weak and emotional. Hence, Sol Lewitt’s use of analytical lines demonstrates his...