Thesis

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Date Submitted: 12/11/2012 05:38 AM

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The thesis of this essay can be divided into two portions which co-exist throughout the essay and are frequently used to support each other. In the introduction of the essay Mr. Orwell’s explains that modern English writers have a multitude of malicious tendencies which have been spread throughout all contexts of writing. He offers the opinion that these tendencies can be avoided if someone takes the time to do so. This will result in political regeneration, but must be done by all English writers not exclusively professional ones. Mr. Orwell latter goes on to assert that language corrupts thought and vice versa. The slovenliness of our language allows for foolish thinking, and this foolishking [pic]allows for slovenliness in our language. This cyclical process is often difficult to break because again bad habits provide us with very convenient and elegant sounding sentence structures. However as he stated early this course is reversible by all writers if they are willing to follow his six rules.

Condense.

INTRODUCTION. The Intro of the essay asserts the notion that the English language has been disfigured by the human race and is on the residual decline as a resultant. Mr. Orwell attributes this downfall to politics and economic causes but goes on to outline his remedy to correct what he refers to as a “reversible” process. George Orwell goes on to cite passages from several prominent essays and articles, concluding on the similarities in their staleness of imagery and lack of precision. He criticizes the passages, stating that the incompetence and vagueness of such political writings desecrates correct English prose- construction.

DYING METAPHORS. George Orwell begins by explaining the difference between newly invented and “dead” metaphors. He then goes on to explain the “huge dump” of worn out metaphors that are commonly used but have lost all power to evocate the reader’s imagination. He argues that many authors use these metaphors out of context without...