Submitted by: Submitted by embers
Views: 823
Words: 19147
Pages: 77
Category: Music and Cinema
Date Submitted: 09/13/2010 09:16 AM
table of contents
GENERAL INTRODUCTION 4
Introduction 4
Robert Sklar’s History of Film 4
Kenya and Film 9
Statement of the Problem 11
Limitations 12
Objectives 12
Organisation of my work 12
Definition of Terms 13
Piracy 13
Hollywood, Bollywood and Nollywood 13
Riverwood 13
VCD, DVD, VHS 14
Culture 14
Copyright 14
Globalization 14
CHAPTER ONE 15
1.0 Introduction 15
1.1 Sociological Analysis 15
1.2 The Significance of Film 17
1.3 The Relevance of the Problem 18
1.4 The Reasons behind the Problem 20
1.5 Piracy 21
1.6 Globalization and Culture 23
1.7 Policy 24
Conclusion 25
CHAPTER II 26
FIELD RESEARCH 26
2.0 Introduction 26
2.1 RIVERWOOD CASE STUDY 26
2.2 Context of the Research 26
2.3 Research Hypotheses 27
2.4 Research Methodology 27
2.5 Sampling Criteria 27
2.6 Survey Data Collection 28
2.7 Quantitative data analysis 28
Table 1: Gender 28
Table 2: Age 29
Table 3: Living Arrangement 29
Table 4: Level of Education 30
2.8 Access to Media 31
Table 5: Access to Television 31
Table 6: Access to DVD Player 32
Table 7: VCR Access 32
Table 8: Access to Dstv 33
2.9 Media Exposure 33
Table 9: Knowledge of Local Films 33
2.10 Watching of local Films 34
Chart 1: Do They Watch Local Films? 34
2.11 Preference of Films 34
Preference of American Films 35
Preference of Local Films 35
2.12 Should Local Films Be Only In English? 35
2.13 Do I See Myself As A Global Citizen? 36
Chart 2 37
Chart 3: Patriotic Pride 37
2.14 Media Use 38
Chart 4: Uses of Media 38
38
2.15 Description of Findings 38
2.15.1 Introduction 38
2.15.2 Surprise Findings 39
2.17 Interviews 42
2.17.1 Findings 43
2.17.2 Selected interview cases 44
2.18 Case Study Conclusion 45
2.19 MEDIA THEORY ANALYSIS 46
2.19.1 Introduction 46
2.20. Media Effects theories 46
2.21 History 46
2.21.1...