Submitted by: Submitted by maewbonto
Views: 10
Words: 1023
Pages: 5
Category: Music and Cinema
Date Submitted: 07/14/2015 09:39 AM
Teaching the Choir:
Vocalization - determine selection from the hymns to be sung/learned
- start from simple to complicated
- can start slow to actual/faster tempo
Intro: background of the piece
Listening
Synthesis – Analysis – Synthesis
Chanting: rhythmic patterns/phrasings
- speaking prepares the words for singing
Sectionals: for non-reading choirs or mixed choir (reading and non-reading)
ALL voices: sing melody
- Play first = listen
- Sing melodic line = softly/ humming
- Mark spots that are wrong
Other Voices:
- Can tell everyone to sing other voices to get them to blend
- “Ooh” = less focused/less noisy > tenor & soprano
“sectional syllable”
- “Mmm” = base & alto
- Add another syllable for each added voice
- If all is good, go to actual words
Listen to the whole choir: TUTI
- Pinpoint problematic spots:
o Flatting
No support
Posture
Mouth opening
o Sharping
Over excitement
Over shooting
If they can’t follow the notes, play the chord
o Other problems: find its causes & solutions
Work on the following:
- Vocal production
- Phrasing
- Balancing
- Diction
- Interpretation/Dynamics works together
- Tempo
- Memorization
- Mastery
*You know you can sing the hymn well if you can sing SLOWLY
Less singing, More listening:
- Listen to the choir
- Avoid for choir to hear your mistakes
- We are POLISHERS, NOT singers
When choir is tired or too uptight:
- Crack jokes occasionally
- Jump to another topic when choir
- Boost rapport with them
Things to do:
- Challenge singers ability to sight sing
- Record for evaluation, further cleaning & memorization
Think:
- this chord is nice
- have to change this
- emphasize on “heart” of the song
Acapella:
- 2 voices w/ 2 different sounds being sung
- To sing in relation to other voices
- Fast sectionals
- Focus on mistakes
Generally, the order of teaching the voices:
1. Melody
2. Base Line
3. Alto
4. Tenor
- Can...