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Category: People

Date Submitted: 07/01/2011 08:28 PM

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Ode to the West Wind Summary

The speaker of the poem appeals to the West Wind to infuse him with a new spirit and a new power to spread his ideas. In order to invoke the West Wind, he lists a series of things the wind has done that illustrate its power: driving away the autumn leaves, placing seeds in the earth, bringing thunderstorms and the cyclical "death" of the natural world, and stirring up the seas and oceans.

The speaker wishes that the wind could affect him the way it does leaves and clouds and waves. Because it can’t, he asks the wind to play him like an instrument, bringing out his sadness in its own musical lament. Maybe the wind can even help him to send his ideas all over the world; even if they’re not powerful in their own right, his ideas might inspire others. The sad music that the wind will play on him will become a prophecy. The West Wind of autumn brings on a cold, barren period of winter, but isn’t winter always followed by a spring?

Summary, Stanza 1

Addressing the west wind as a human, the poet describes its activities: It drives dead leaves away as if they were ghosts fleeing a wizard. The leaves are yellow and black, pale and red, as if they had died of an infectious disease. The west wind carries seeds in its chariot and deposits them in the earth, where they lie until the spring wind awakens them by blowing on a trumpet (clarion). When they form buds, the spring wind spreads them over plains and on hills. In a paradox, the poet addresses the west wind as a destroyer and a preserver, then asks it to listen to what he says. 

Notes, Stanza 1

1. The accent over the e in wingèd (line 7) causes the word to be pronounced in two syllables—the first stressed ....and the second unstressed—enabling the poet to maintain the metric scheme (iambic pentameter).  

2. clarion: Trumpet.

Summary, Stanza 2

The poet says the west wind drives clouds along just as it does dead leaves after it shakes the clouds free of the sky and the oceans. These...

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