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Friedrich-Alexander Universität Erlangen Nürnberg
Institut für Anglistik und Amerikanistik
Hauptseminar: From Dickens to NeoDickens
Wintersemester 2012/2013
Dozentin: PD Dr. Susanne Gruß
Referent: Sebastian-Manuel Schmidt
28. November 2012
Mister Pip
Course activities
* Discussion topics:
If your child attended Mr. Watts's class and you were asked to teach something what would it be and why?
* Teamwork tasks:
It has been said that it is impossible for a white man to take on the voice of black girl. Do you agree? Is Mister Pip still postcolonial?
Matilda's return to London: What did she learn about Dickens? What did change between the image she had of Dickens when she was on the island and now?
What does Matilda's mother Dolores think about Mr. Dickens and Great Expectations? Compare her view to the one of her daughter.
* Final Debate
'Stories have a job to do! They have to teach you something.'. What does Matilda learn from the narration of Great Expectations?
Recap 11/21/12
1. recap of last session
* Dickens's children: romanticism of childhood in Great Expectations? → Pip as an innocent child undergoing a development → sinfulness, impurity, loss of innocence
romantic notion more prominent in Oliver Twist
* Dickens's personal biography and his characters: personal experiences (work house theme/exploitation) → criticism of childhood labor
cf. David Copperfield includes autobiographical fragments
2. Dickens's women
* Estella: fairy tale idea ('princess character' cf. p. 289 NCE) → 'ice maiden, monster, real person?'
* Petrarch: affection poems to Laura (dulce malum)
image of a star: beautiful to behold but unreachable → immortalization of beauty cf. Shakespeare's sonnets
in Great Expectations: duplication of Petrarcian notion
cf. Estella as someone who cannot perceive love
Estella as a guiding star
in contrast: objective of admiration is passive: Estella is different → she...