Objective and Subjective

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Category: Science and Technology

Date Submitted: 02/08/2014 09:57 PM

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So what were my impressions? First, Mead had a captivating writing style and a real gift for painting scenes. From the first pages, I could almost envision the Samoan village she described based on her study in 1925-1926. Mead introduces us to the scene first, then takes us through the contextual information in subsequent chapters: a typical Samoan day, children's education, the household, how adolescent girls related to their age groups and community, then issues such as sex relations, dance, and personality. In all these chapters, we almost feel like we have entered village life, learning the hierarchy, seeing the interactions, and being privy to the gossip: who is lazy, who is slow, who has poise and maturity beyond her years, who lags behind, who slept with whom. Mead gives many quotes, but far more stories about the happenings in the three villages she studied.

This description sounds like the sort of thing that two or three teenage girls might say about a rival. Did Mead triangulate this description with others in the village, including children and adults? Did she interview Sala herself about her own impressions? Unfortunately it's impossible to say. Sala does appear in the table of participants in the back, but in my reading, I didn't see any other information about where she got this description beyond "it was a saying among the girls of the village..."

In fact, the methodology was rather spare. Mead characterizes Samoa's adolescent girls on the basis of "six months" spent "in one small locality, in a group numbering only six hundred people" in "three practically contiguous villages" (p.145). (Elsewhere, Mead puts the total time in Samoa at nine months.) That's a very short period for an ethnography, especially given that Mead had to gain the trust of her informants.

Mead ends with a couple of chapters that attempt to apply the lessons of Samoa to childrearing and education in the West. In these chapters, she paints a rather idyllic picture of...