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REV: JULY 14, 2010
FELIX OBERHOLZER-GEE
BHARAT ANAND
LIZZIE GOMEZ
The Economist
In July 2009, The Economist launched “Red Wires,” a commercial showing a wire-jumper walking
through a city on a series of red wires (see Exhibit 1). The strapline “Let your mind wander” pointed
to the pleasure of connecting ideas and places, a service the current affairs magazine aspired to every
week. Red Wires represented a break from the publication’s famous Red Poster campaign, a series of
billboards that claimed, in often less-than-obvious ways, that readers of The Economist were
particularly smart and successful (see Exhibit 2). Well-known Red-Poster phrases included “You can
so tell the people who like don’t read The Economist,” and “I never read The Economist.
Management trainee. Aged 42.” In contrast, Red Wires, which was shown in movie theatres,
presented no clever puzzle. And the young trapeze artist, dress shirt untucked, appeared to be an
unlikely Economist reader. This, of course, was the point of the new campaign.
By 2009, The Economist Group’s management team, led by chief executive Andrew Rashbass, had
come to believe that the magazine’s target audience had increased substantially because more and
more readers developed an appetite for sophisticated and challenging information. The change,
which Rashbass called “a new age of Mass Intelligence,” reflected a general trend that appeared to
soften many traditional patterns of consumption. For example, consumers could be seen to mix and
match mass brands and luxury products – an EasyJet flight with Prada luggage or pizza with a glass
of champagne. Similarly, readers seemed to be prepared to consume both elite and mass media.
Rashbass explained:
In the era of Mass Intelligence, people move between mass and more challenging media
quite happily. They are a great target for advertisers, both because of who they are and how
they think.1
To seize this opportunity, The Economist needed to...